I'm not terribly familiar with the Bioshock lore, so I'll analyze this piece in a more technical manner to help you get your point across a little stronger while becoming an even better writer in the process.
A few thoughts:
They took out a lot of Lakota Sioux This is too vague. What defines a lot? I'd use a stronger description.
He and another man wrestled with the rifle when it went off and that set off the war. This sentence is a little weak for its importance in your story. Another man is extremely vague, even if youre masking intentionally his identity, you need something more appealing than a typical every day description.
Black Coyote was one crazy pony Perfect description! Well done!
He was over everyone. What does this mean? Im guessing he controls the city, but saying he's over everyone lacks detail and conviction. You do explain it later in the paragraph but the way it's written here makes me wonder what you mean and pulls me out of the narrative which is never good.
Similar in looks to a handyman, Plunger was an ugly brute that bullied everyone for cash. I'm not sure if this is a Bioshock reference, so ignore me if it is, but otherwise it just doesnt work. Not all handyman look alike, and its insulting to imply that they do ~_^ Besides, if it is a Bioshock reference, handyman should be capitalized as its the name of something specific to the Bioshock brand.
He played poker and won every time. Not possible, even if he's cheating, he'd get caught the second he produced a card already in someone's hand. Poker is a game of both skill and luck. Consider revising to something more suiting like, He played poker and won more than he lost
After all these years he sees him. He sees him? So what? Does he find him? And if so, where? This is a little too vague.
Also, a thought on the dialogue: The way it's written works in very small doses and only when youre accelerating to action. I dont want to complain about your style, because every writer should write their own way, but it might not work for a lot of people and does little to add to the scene, setting, or progression of the story. Dialogue is an excellent tool if you use it properly.
I am going to bleed it out of you if you loose. Lose and not loose
(Indians) Take it out, the meaning is obvious.
and you (pointing to Turning) Parenthesis seldom work in fiction, unless it's the narrator speaking.
To be near God and live out the remains of life. The remainder of life, or their remaining life. Remains of life just doesnt work.
Comstock, "You steal from me, you loose a hand! Lose and not loose
Now go back to the whole hole and not whole ^_^
Pitch's hand was cut off and replaced with a pitch fork. When writing fiction, the secret to great writing is the ability to show and not tell. Right now you're telling us he has a pitchfork for a hand and not showing it through other means. Have a character comment on it, have someone notice it as you're advancing the plot, but never tell us directly.
Plunger looks at Pitch Fork and says, "Do you bring money?" This is an example of writing good dialogue and is a nice change from starting every sentence with the name of the speaker.
Booker has a couple day mares of Wounded Knee. What is a day mare? A horse ridden only during the day? Or do you mean something more PTSD in nature?
gunfire is one word. Otherwise you're talking about guns being on fire :P
The stench of bodies after bodies killed off flies. Doesn't happen. Flies will eat crap so stench doesn't really affect them.
heartbeat is also one word
He saw an Indian waiving his rifle off in the distance before the massacre started.... Good reveal, though I'd consider changing the tense to present, even though it's a flash back, to allow the reader to live it verse having it happened already. He sees an Indian waving just sounds better I think.
stands up knocking the table and all the chips and cards off the table avoid repeating words. There's no need to use 'table' twice.
Turning Hawk, "Pinkerton, here is your gun." No one ever says here is, especially not in a situation like this. People say, Here's.
Plunger gets ruthless with Turning Hawk. Again, show and not tell. Don't say he gets ruthless, show us how ruthless he is.
storms may come and wipe out lives, but without weather we have no rain for the corn... This is excellent, though I'd cut out the firewater bit. Otherwise you have someone being profound one second, and talking about alcohol and women the next. Leave it profound, it's good!
The rain stops and the sun is bright again. Way too soon! Weather doesn't change like this in a span of seconds.
Overall, this is pretty good. You have a few things to work on but theyll come with time. I'd play around with your tenses, work on listening to dialogue around you on a daily basis, and experiment a little with what works and what doesn't.
Other than that, let me know if you have any questions or let me know if I can help further.
Best wishes and good luck!
-Saigo-
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