[QUOTE="superfluidity"]
[QUOTE="poptart"]
One person can dismantle a piece of music to the nth degree and critique in a different manner than one who appreciates music on face value, but this appreciation of music on differing levels doesn't devalue the opinion of the latter.
If an artist can only appreciate a high-brow analysis of their work and ignore appreciation solely on the basis of some an intangible 'feel-good' factor, then it sounds to me a typical case of an artist disappearing up their own arse.
poptart
This is truly an anti-intellectual argument. If all opinions about art are equal, you would have to believe that it's an artist's job to communicate clearly to everyone rather than every individual's job to try and reach a greater level of understanding. That's completely backwards in my view and again devalues the work of artists and turns them into mere entertainers.
People who don't really care about art (in terms of how much time and effort they put into experiencing it and learning about it) can have an opinion, and it holds value, but it is (clearly to me) of a lesser value than someone who cares more about art.
I think you're the one intellectualising music as if it's some kind of conceptual art. That's not to say some musicians may attempt to intellectualise their own work and thus expect to garner the kind of critique you so enjoy doing, but really music generally isn't like Tracey Emmett's soiled bed. Do you really thinking music demands a higher level of understanding to be appreciated? Do you think an artist hearing that a person is their greatest fan because all they want to do is get up and dance whenever they hear their music? I doubt it – I think if they can connect on a soulful rather than artistic level then a goal may well have been achieved – it certainly isn't of lesser value because some notion of anti-intellectual superficiality which you seem to think.
The problem with intellectualising and over-analysis is pretty transparent when looking at the variance you see in music reviews. The same goes for art in general. Aphex Twin might be standing behind the decks spinning some sand paper in jest, only for the high-brow audience to turn around and say 'hey man – that was great'. Sure apply whatever depth of analysis you enjoy, but don't be one of those guys that hang around the decks over-intellectualising the latest micro-niche NBT that'll be lucky to shift 500 copies. Don't fight it – just feel it baby :P
I think you would make a good music critic. Your writing is really colorful and you seem to have a good knowledge about music without being rigid about it.
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