[QUOTE="KingsMessenger"]
It is the reason why the film industry is currently stuck in a "Post-Content Era," where making a movie with substance is nearly impossible because no studio wants to take a risk on a film that costs them $400 Million (production + marketing costs) to release.PannicAtack
The Social Network, The King's Speech, No Country For Old Men, Frost/Nixon, Inception, The Cabin in the Woods, Atonement, Moneyball, War Horse, and Hugo have no "substance"?The Social Network, Inception, and Hugo are the only films with budgets even remotely CLOSE to $100 million.
I wasn't saying that films with substance didn't exist, just that it is EXTREMELY difficult to get those films made... If you don't work in the industry then you don't have a god damn clue what you are talking about, but The King's Speech took decades to get made. Moneyball was adapted from a best selling book, and so was The Social Network. War Horse has Spielberg backing it. Hugo was based on a popular children's book and had Scorsese behind it. No Country For Old Men was based on a very popular book, ended up with the Coen Brothers attached and it still took several years to get made... Inception would never have been made if not for the success of The Dark Knight. Circumstances have to be perfect for a film to get made. And idea being good(or even borderline genius) is not even close to being enough. Thousands of fabulous screenplays sit in desks all around Hollywood, NEVER to be made.
Talk to ANYONE in Hollywood and they would describe the current industry as being in a "Post-Content Era." Getting funding for movies with substance is 1000 times more difficult than getting funding for some crappy Blockbuster script that is heavy on action and light on character development. And by the end of the process, most films with budgets above $75 Million end up getting run through so much crap that even if they started with "content," they have lost most of it by the time they make it into theaters. It takes a REALLY good Producing Team and a ton of patience to get something like Inception made, and even that needed a push from Christopher Nolan's post-TDK invulnerability.
PS - A "Post-Content Era" refers to the state of the current Film industry where the average Tentpole release has been boiled down to a formula that basically acts as a checklist for production. Content is stripped back, forced romantic entanglements are shoehorned into scripts, narrative exposition is reduced to the absolutely minimum, and visual spectacle is placed in the holes. It is the type of system that produces films like Battleship, Battle: Los Angeles, and Transformers.
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