Shadow Ops: Red Mercury Review

The campaign missions can be pretty intense at times, but the underlying action itself, especially in multiplayer mode, lacks the sort of visceral punch that shooters ought to have.

Unlike most modern-day military-themed first-person shooters, Shadows Ops: Red Mercury is more about pure run-and-gun action than about relatively realistic squad tactics. It's a fully featured game, boasting a single-player campaign of more than two dozen missions, a variety of two-player co-op levels, and several multiplayer modes playable on Xbox Live by up to eight players or in a split-screen mode by up to four players. Shadow Ops also features some impressive audio, and its campaign offers a ton of targets to shoot at and a high level of challenge even on the default difficulty setting (an easier setting and two even tougher settings are available, as well). The campaign missions can be pretty intense at times--but the underlying action itself lacks the sort of visceral punch that shooters ought to have. It's not that big of an issue in the heavily scripted single-player levels, but Shadow Ops' clunky multiplayer gameplay significantly suffers for it. The result is a first-person shooter that does little to distinguish itself from many other, similar games.

Sometimes you'll have friendlies at your side, but Shadow Ops is mostly a one-man-army affair.

The game is clearly derivative of successful military-themed arcade-style shooters such as the Medal of Honor series and Call of Duty, though this one isn't based on real events. Captain Frank Hayden is the hero of Shadow Ops' campaign, and he's your typical gruff gun-toting action hero. Apparently he's good at getting important jobs done, since he's part of a Special Forces team charged with recovering something called red mercury--a substance that's capable of bringing nuclear destruction upon the free world--which has fallen into the wrong hands. Hayden's efforts to recover the red mercury will send him to locations like war-torn Middle-Eastern towns, the jungles of the Congo, snowy Kazakhstan, and the subways of Paris. The story takes a couple of twists as it unfolds in prerendered cutscenes between many of the missions, and while these cutscenes are grainy and unimpressive for the most part, they're presented with the sort of shaky camera angles and fast editing that has become Hollywood's favorite way to depict military action.

Regardless of what the stakes are and where the missions supposedly take place, they pretty much all play out the same way. They're completely linear, which means there's never any alternative but to keep pressing forward past droves of enemy grunts, who will often come at you in waves, lie in ambush around corners, or snipe at you from windows or rooftops. Though most of the enemy behavior seems to be scripted, foes exhibit some noticeable signs of intelligence such as when they rush from cover to cover and otherwise stick their necks out only when shooting at you. Foes will also sometimes chuck grenades at you or, better yet, toss back one of your own. These occasionally inspired bad guys are relatively few, though. You'll mostly just be gunning down tons of enemy clones that pop up practically like targets in a shooting gallery. And even when the situation seems hopeless as foes keep pouring in, you'll learn to see through the ruse--the flow of bad guys stops as quickly as it starts, inviting you to casually scour the area for health and ammo and then move on to the next firefight.

You'll usually have several weapons--a pistol, a sniper rifle, and an assault rifle--in addition to a few grenades. Occasionally you get a shotgun, a heavy machine gun, and a bazooka. Different missions include different weapons, but while one rifle might appear significantly different from another, all weapons of a particular class are functionally identical (except for differences in how many rounds of ammo their clips can hold). The assault rifles end up being the weapon of choice of Shadow Ops, since they're perfectly suited for close- and medium-range combat, which covers 99 percent of the combat in the game.

One of the only reasons to switch from the assault rifle is that Shadow Ops is very stingy with ammunition. Despite facing hordes of foes, you'll only be able to carry a few clips of ammo at a time and will need to scavenge more from your victims--who sometimes will drop more ammo for you to use, but often won't. Ammo is especially scarce at the harder difficulty settings, in which you'll feel like you were sent into the mission woefully ill-equipped to handle the odds--which, actually, is kind of cool.

You'll run and gun through more than two dozen levels in Shadow Ops' single-player campaign, which is the highlight of the game.

Unfortunately, the interaction between your guns' bullets and your enemies just isn't very satisfying in Shadow Ops--which is to say that the feel of the game just isn't great. In multiplayer, there's no indication whatsoever that you're hitting as opposed to missing your target. In single-player, at least, you'll see a foe recoil a little bit; but there's no blood (which shouldn't be a surprise given that the game is rated T), and there's little in the way of other evidence to suggest that someone just got shot. The result is that the action feels flat, especially since you don't see a weapon model or a muzzle flash onscreen when firing down a rifle's sights; you'll just line up the crosshairs with the bad guys and watch them fall. Of further note, Halo proved that melee combat could be both satisfying and effective in a first-person shooter, and Shadow Ops likewise gives you the option to clobber foes with whichever weapon you have at the ready--but you'll pretty much never come into melee range in the game, so there's not much point in swinging your gun around, except maybe to help pass the time as you slowly run from point to point. That's another issue--your running speed, while arguably realistic, seems too slow for a run-and-gun action game such as this.

The campaign itself is somewhat longer than average, partly because the missions are pretty tough right from the get-go and force you to restart from the beginning if you die (and sit through a pretty long loading time before restarting, to add a little insult to injury). Generally, you can take a ton of damage before getting killed--but you'll always have tons of enemies gunning for you, so death can still come swiftly and suddenly. Taking lots of damage is basically unavoidable, since many of your foes will fire from concealed positions and have fast reflexes and good aim--so you'll end up spotting many of your enemies only because of the onscreen indicator that shows the direction from which you're taking fire. Then it's just a matter of killing them before they kill you, and that can take a good several tries. However, since the opposition pops up from the exact same points in the level each time you play, you can get through even the toughest scenario with patience and a trial-and-error approach.

Shadow Ops' split-screen and online multiplayer modes are better in theory than in practice.

The missions soon become a desperate struggle for health packs, which can be found tucked in the corners of the environments and will sometimes (mercifully) be dropped by killed foes. It's not exactly a perfect formula for fun, but Shadow Ops' tough, enemy-infested missions are loaded with screams and explosions and can certainly be tense as you inch your way to the next finish line. Some campaign missions let you fight alongside several other squad members, but they're mostly just for show--sometimes they'll get in your way, and sometimes they'll actually take out a target, but you'll mostly end up doing all the work, same as always. There's also a little bit of obligatory sneaking to be found at one point in the campaign, and on several other occasions, you'll have to blow stuff up by planting explosives, which happens automatically when you press and hold button A. So the campaign is pretty monotonous, but it's also the best part of Shadow Ops.

The game's multiplayer features feel pretty tacked on. As mentioned, there's a two-player co-op mode (playable only in a split-screen), which consists of a series of plotless scenarios that must be attempted in sequence. These are basically similar to the single-player missions, only without the scripting that gives them some flair and the story context to give them a sense of purpose. Furthermore, Shadow Ops just isn't well suited to co-op play, since the level design largely consists of rooms interconnected with hallways; one player will often have to do all the work in a given situation, and there's little cause or opportunity for collaboration. Yet the co-op mode is still more fun than the other multiplayer modes, which are just weak.

You've got your standard deathmatch, team deathmatch, and capture-the-flag modes here, as well as a VIP escort mode, in which one team has a poorly equipped player that must be defended as he or she travels from one end of the level to the other. There aren't too many multiplayer maps to play on, but that's not the problem. Since the core shooting action itself is so underwhelming and even downright erratic in multiplayer--automatic weapons spray so wildly that they seem largely useless even at close range--Shadow Ops' online mode is a disappointing counterpart to the single-player portion. As such, it's only good in theory that the game supports as many multiplayer options as it does.

Shadow Ops often looks better than it plays, and sometimes plays better than it looks. The weapon models are probably the best aspect of the presentation, along with some of the effects and animations. Enemies actually look fairly convincing as they rush to and fro, and rag-doll physics are used sparingly to good effect as some foes get sent flying from explosions or go toppling off of rooftops or balconies. The environments look believable if you don't inspect them too closely. The levels themselves are quite small, and the character models are quite blocky and unremarkable. One strange effect is how enemy bodies vanish as soon as you look away; usually by the time you look back, it's as though nothing ever happened.

Shadow Ops is a fully featured game, but the underlying action is decent at best.

The audio is the highlight of Shadow Ops, which is a game that, at its best, convincingly sounds like a Hollywood war zone. Dolby Digital 5.1 support is included and helps convey the effect that gunfire and explosions are happening all around you. Yet, some subtle effects, such as empty shell casings ejecting onto the ground, manage to pass through the cacophony. There's decent voice acting throughout the game, which is notable especially in that your enemies will shout at you in their native languages. Even if you don't know the languages, though, you'll still notice how a lot of the enemies repeat the same lines. Meanwhile, there's a surprisingly diverse and intense soundtrack that plays during the campaign missions. Many of these rousing, militaristic compositions are very impressive, though the game's action doesn't quite hold up its end of the bargain, resulting in music that often sounds overblown. Outside of the single-player campaign, in the absence of that dynamic soundtrack, the game still sounds good but not remarkably so.

If only everything about Shadow Ops was as good as its audio. The game initially seems to offer everything you'd want out of an action-packed military-themed shooter. However, online multiplayer features are of little value when the action itself isn't good. Luckily, Shadow Ops' campaign can be worth the effort, if you're not easily frustrated and aren't expecting anything out of the ordinary.

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Shadow Ops: Red Mercury More Info

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  • First Released
    released
    • PC
    • Xbox
    The campaign missions can be pretty intense at times, but the underlying action itself lacks the sort of visceral punch that shooters ought to have.
    7.2
    Average Rating728 Rating(s)
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    Developed by:
    Zombie Studios
    Published by:
    Atari, Tommo
    Genre(s):
    First-Person, Action, 3D, Team-Based, Shooter
    Theme(s):
    Modern
    Content is generally suitable for ages 13 and up. May contain violence, suggestive themes, crude humor, minimal blood, simulated gambling and/or infrequent use of strong language.
    Teen
    All Platforms
    Violence