Medal of Honor isn't very heavy on story. Instead, the game is split into six more or less disconnected missions spread across more than 30 different levels. Rather than focus on creating memorable characters or surprising plot twists, the developers at 2015 have taken an arguably more effective route by constantly introducing memorable set pieces and surprising new gameplay elements. As in Half-Life, you witness everything from the fixed first-person viewpoint of your character. All the "cutscenes" are seamlessly integrated into the ongoing events of the level. Control is never taken away from you. Just as in Half-Life, this technique is incredibly effective for creating a sense of both urgency and of attachment to the game's environments. It's an ongoing mystery as to why developers don't use this uninterrupted viewpoint more often.
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