SWON = Underrated
The plane models are extremely detailed, no problems there. The landscape is a bit bland at times, but specific locations (i.e., the Cliffs of Dover) are instantly recognizable. Other details (explosions, ground vehicles) are simple, but you'll be too busy (and moving too fast) to notice.
The gameplay, as before, is great. Again, it's not a flight sim, so don't judge it as such. Although it is a bit embarrassing to plow into the ground when you're trying to whip around to take out an enemy fighter (whoops). The game's most interesting feature is the time control. You can slow or speed up the flow of time to gain the advantage in a dogfight or to cut down on travel time between target areas. The targeting system helps you lead shots properly, though that can be turned off to see if you're as good as the guys that did this for a living.
The sound and dialogue are all way above par. Every plane has a distinct engine sound, which was actually recorded at an air museum in California. The voice acting is lively but not melodramatic, and helps immerse you in the game. Where the sound really shines, though, is the phenomenal music. I rarely buy game soundtracks, but when I saw SWON's was available, I snatched it up.
The game feels a bit short, though 36 stages is still impressive, and there are several two-player scenarios. (Live subscribers can get even more planes and missions.) The difficulty is above average, also a plus for us older gamers. The replay value is a bit low, but there are always hidden objectives in any given mission. Still, you'll pick it up again after a while because it's just that good.