CSI: 3 Dimensions of Murder Review

Despite the touted inclusion of full 3D environments and longer cases, 3 Dimensions of Murder mostly covers well-worn territory, and it's still a breeze to play through.

CSI continues to be one of the most popular crime-solving dramas on TV, and as such, the video game tie-ins keep on coming. Technically, CSI: 3 Dimensions of Murder is the fourth all-new CSI PC adventure game, but it's the third starring the Las Vegas cast (otherwise known as the only cast worth watching) and it's the first effort from developer Telltale Games. After CSI: Miami, Ubisoft handed Telltale the keys to the franchise, and what it has turned in is a slightly lengthier, more involved adventure than what the previous games offered. But these marginal upgrades don't do anything to counteract the main problem that has plagued this series all along: It's just too easy. And that's not even mentioning that 3 Dimensions of Murder's five sordid mysteries aren't as interesting as the cases found in the last Las Vegas game, Dark Motives, and that minor glitches and continuity issues run rampant all throughout the adventure.

Ho hum, dead bodies, brutal killings, sexual deviancy, blah blah blah. What else have you got?

The premise of 3 Dimensions of Murder will be immediately familiar if you've played any of the previous CSI games. You're a new recruit in the Las Vegas Crime Scene Investigation unit. At the beginning of each case, you're given a crime scene and a cast member from the show to pair up with. They primarily just act as a mouthpiece, since you're the one doing all the investigating and evidence collecting. The cases presented in 3 Dimensions of Murder generally revolve around, of all things, murder. You'll find a dead woman on the floor of an art gallery, an apartment drenched in blood (but with no body to be found), and even a gunshot victim found on the floor of a demo booth at the fictional Las Vegas equivalent of E3. In fact, the best part of 3 Dimensions of Murder is that it does go to some lengths to throw in some inside jokes about the video game industry--primarily in that specific case. For example, marketing people talk about how great games that don't sell are failures, and weak games that do sell are winners; there are random digs at the proliferation of sex and violence in games (slightly ironic for an M-rated adventure); and there's even a fictional, canceled game series starring a cartoon duo that's highly reminiscent of Sam & Max.

However, there are two problems with all of this. One, the CSI games aren't targeted at the kind of hardcore players that would even begin to understand what any of these gags mean, and two, that case is the only one with any cleverness behind it. The rest of the cases travel the same roads of murderous intent that have been seen both in the show and in the previous CSI games, and it's not done with much flair or creativity. In fact, if anything, the cases follow a pretty predictable path of logic. While the evidence is never the same twice, the timeline for suspects is. There are always three suspects in any case, and eventually you'll get warrants to bring them all in. The third one you bring in is always the guilty party. Sometimes the game will loop back around and start trying to point you in the direction of other suspects, but it always comes back to that third suspect in the end. Before you start screaming about spoilers, the fact is, such a predictable line of storytelling is practically a spoiler in and of itself. Is it some kind of lame tie-in to the fact that it's the third Las Vegas game, and that there's a 3 in the title? Did someone actually think this was clever? Well, it's not, and it's the sort of thing you'll pick up on by the second or third case, whether or not you read this review.

On top of the case predictability, there's just not too much that's interesting about any of them. The case in the not-E3 is kind of amusing because of the inside jokes mostly, and there is an interesting conclusion to the case involving the blood-soaked apartment, but that's about it. The red herrings the developers try to give you don't do anything to throw you off the obvious conclusions about who did what for which reason. The last case in particular seems like a fairly desperate attempt to try to tie previous cases together into one big, grand finale, but it just feels labored and unnecessary. Plus, it's possible to break the continuity of the story flow from time to time. If you miss an obscure piece of evidence, sometimes the story will continue on, giving you details you won't have the set-up for without that piece of evidence. Once you go back and find that wayward piece of evidence, the set-up for that story bit will then come after you've already heard the next part, which is disjointed, to say the least.

Furthermore, the interactions with the characters aren't very engaging. The voice acting is mostly good (at least, from the suspects and other non-CSI types), but there's a lot of it, to the point where characters will sometimes repeat lines and ramble on about nothing of consequence. The box cites "longer cases" as one of the selling points here, but the cases aren't longer because there's a decidedly higher amount of investigative work to do--they're longer because the suspects just won't shut up.

The investigative work in 3 Dimensions of Murder isn't much different from what you would experience in the other CSI games. You poke around a crime scene, or a suspect's residence, and look for evidence that points you toward the truth. When you collect evidence, you can swab for blood, dust for fingerprints, run UV lights to look for semen stains, and just rummage around for any trace evidence that might be hidden. At the crime lab, you can do even more: run computer searches for prints, DNA, chemical makeups of unknown substances, ballistics matches, and the like. There's plenty to do, but once you have a basic grasp of how the evidentiary process works, you'll find that there's not much to it. When you pick up a sizable object, always look for stains or fingerprints, and odds are you'll find something. Whenever you find a print or blood or anything with DNA, always run it against other samples you have or search through the database. It's basically busywork, although it is somewhat satisfying to watch as the evidence you're collecting paints the picture of what went down.

But again, this is all pretty easy to do, and quite predictable in nature. On the default difficulty, it's extremely easy to find evidence, and you can always grab hints from the CSI you're working with if you ever get stuck. Asking for hints docks you on your postcase evaluation, but that evaluation doesn't actually do anything except change the rank you're given at the end of a case. Higher difficulties make it tougher to find stuff, but if you've ever played a crime-solving adventure game before, you'll still know where to look.

CSI: 3 Dimensions of Murder is the first in the series to use fully 3D environments and characters, but the shift in graphical style hasn't made the game look better in any way, nor has it made the evidence-detecting process any different. You don't freely walk around environments looking for stuff. Rather, there are hot spots and areas you can move to, and you can't go anywhere beyond the limits of those hot spots. The environments look decent enough with the new 3D graphics engine, but the character models have taken a decisive step backward. Faces look blurrier and less detailed than they did in previous CSI games, bodies look a little stubby and weird, and the animations of the characters are just as minimal as they were in the old games. There's also this strange facial texturing problem that only presents itself in certain scenes, and it causes odd lines to appear on the faces of the CSI cast. It's exceptionally ugly and appears even with all the game's graphical bells and whistles turned on (few of them that there are).

It may look like Jorja Fox, and it may kind of, sort of, almost, OK not really sound like Jorja Fox, but it definitely ain't Jorja Fox.

The presentational issues don't end there--the bulk of the show's cast is on hand for this game, but Marg Helgenberger and Jorja Fox are nowhere to be found. Worse still, the replacement actresses are awful. Both try way, way too hard to emulate the vocal inflections of the two actresses, and they come off sounding pained in the process. William Petersen and Eric Szmanda are the lone bright spots of the regular cast, as Gary Dourdan and George Eads sound like they couldn't be more bored to be there. Apart from the boredom of the cast, the audio also has a nasty tendency to hitch up in random spots. Sometimes lines will overlap, sometimes they'll repeat multiple times, and sometimes audio will just cut out altogether for a line or two.

CSI: 3 Dimensions of Murder certainly has its moments, but like every other CSI game to date, those moments are easy to get to, and ultimately unsatisfying because of the light amount of effort it took to get there. The CSI games have never been designed to appeal to the hardcore adventure game fan, but even casual players won't find too much about 3 Dimensions of Murder to get excited about, especially if they've played previous CSI games, as they'll know what to expect before it even happens.

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The Good
Five new cases to play through
A couple of interesting twists and clever inside jokes
Lots of crazy scientific evidentiary processes to mess around with
The Bad
Storylines are exceedingly predictable
Some of the CSI cast is missing, and even the ones that are there aren't all that great
Gameplay is still extremely easy
Character models are ugly
6
Fair
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CSI: Crime Scene Investigation: 3 Dimensions of Murder More Info

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  • First Released
    released
    • PC
    • PS2
    CSI returns for a third installment titled CSI: Crime Scene Investigation: 3 Dimensions of Murder, which features a new real-time 3D engine and longer stories.
    7.4
    Average Rating785 Rating(s)
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    Developed by:
    Telltale Games, Ubisoft Bulgaria
    Published by:
    ak tronic, Ubisoft
    Genre(s):
    First-Person, Adventure, 3D
    Theme(s):
    Modern
    Content is generally suitable for ages 17 and up. May contain intense violence, blood and gore, sexual content and/or strong language.
    Mature
    All Platforms
    Blood and Gore, Language, Sexual Themes, Use of Tobacco, Violence