Boll returning to low-budget projects
Before its release, In the Name of the King: A Dungeon Siege Tale was billed as director Uwe Boll's ticket into big-league filmmaking. Budgeted between $60 and $70 million, the loose adaptation of the Dungeon Siege role-playing games was portrayed as an effects-heavy, Lord-of the Rings-style...
Before its release, In the Name of the King: A Dungeon Siege Tale was billed as director Uwe Boll's ticket into big-league filmmaking. Budgeted between $60 and $70 million, the loose adaptation of the Dungeon Siege role-playing games was portrayed as an effects-heavy, Lord-of the Rings-style fantasy in an extensive advertising campaign. The PR blitz didn't pay off, though. As a result, the film came in 14th place at the weekend box office, earning just over $3 million at over 1,600 locations.
In 2006, Boll blamed a similar chilly response to his big-screen version of BloodRayne on a bungled distribution effort. Today, though, speaking to the Hollywood Reporter, he admitted the Dungeon Siege film's failure would cause him to return to lower-budget projects like those he made in the past, such as House of the Dead and Alone in the Dark.
Boll, famous for his self-promotion and public confidence, saw the move as a positive development. "In the future, I will focus on small films such as Postal," he told the Reporter. "These are films that represent my true passion, and they can be done with small budgets." The forthcoming adaptation of the controversial Running With Scissors shooter is set for limited release in February.
The Hollywood Reporter gave another reason for Boll's new low-budget tack. Germany has closed the tax shelter loophole which allowed the Mainz-based filmmaker to acquire funding for films regardless if said films were profitable or not. But since Boll's low-budget films still make money, he has already begun preproduction on the film version of the still-unreleased Wii game Zombie Massacre. Boll also holds the film rights to Ubisoft's hit action series Far Cry.
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