Persona 4 is full of fascinating, psychologically complex characters. But when it comes to issues of sexuality and gender identity, the game fails to face the truth.
Let me state one thing up front: in many ways, Persona 4 is an outstanding game. As its story has progressed over the course of a school year, I've formed a much closer connection to its cast of high school students than I have to the characters in most games. It has repeatedly made me laugh out loud, sometimes made my pulse race, and occasionally moved me, as its heroes have formed happy memories together and faced great challenges together. They confront these challenges in both the real world that every high school student must navigate, and in that other world they have the power to enter, a world where manifestations of the thoughts and feelings that reside in our subconscious take shape.
But for a game that is all about people coming to terms with the aspects of themselves that they have long repressed, Persona 4's treatment of two of its main characters, Kanji and Naoto, leaves a great deal to be desired. Initially, Kanji appears gay and Naoto seems to be transgender. However, rather than embracing these traits as interesting facets of two members of the game's core group, Persona 4 ultimately rejects them.
By clearly raising the idea in the player's mind that Kanji is gay and then rejecting that idea, Persona 4 sends the message that homosexuality is shameful and should not be accepted.
Let's start with Kanji. When you first hear about him, it's via a televised news report that characterizes him as a violent troublemaker. Soon, he becomes the latest person to appear on the Midnight Channel, and you and your fellow investigation team members venture through a television and into the mysterious world on the other side where subconscious feelings and desires are manifested. Kanji's realm is a steamy bathhouse, and as you make your way through it, you repeatedly hear Shadow Kanji (the embodiment of his repressed subconscious) express sexual desire for men. I was immediately intrigued. Here, I hoped, I would get a complex portrayal of a gay character, one who has sadly but understandably repressed his sexuality in response to societal pressure, who felt that he could not be accepted as a tough guy if people knew he was also gay.
Unfortunately, Persona 4 doesn't follow through on this potential. When Kanji confronts his shadow self and accepts who he is, he reveals not that he is attracted to men, but that he is just deeply afraid of (or maybe deeply dislikes) women. He recalls things that girls have said to him in the past ("You like to sew? What a queer!") and says that he is more comfortable around men because, according to him, "they'd never say those awful, degrading things." (I'm not sure what sort of world Kanji lives in where men would never criticize him for liking to sew and do other things that are stereotypically considered feminine, but for the sake of the game, I'll go along with it.) However, at the end of the day, his issue is simply a matter of feeling more comfortable around men, not one of being physically attracted to them.
To me, this is a huge cop-out. It rings psychologically false; the ultimate truth of Kanji's character as someone who was just afraid of rejection because girls had been cruel to him in the past doesn't quite mesh with the imagery of his dungeon and the personality of his shadow self. By clearly raising the idea in the player's mind that Kanji is gay and then rejecting that idea, Persona 4 sends the message that homosexuality is shameful and should not be accepted.
Yosuke's attitudes about Kanji are problematic, and so is the game's way of handling them.
As the story progresses, we're periodically reminded that, had he been gay, Kanji would not have been fully accepted by the other members of the investigation team, and, in fact, some anxiety lingers later on about whether or not Kanji is truly straight. During a school camping trip in which the protagonist, Kanji, and Yosuke are gathered in the same tent, Yosuke goes so far as to ask, "Are we gonna be safe alone with you?" suggesting that in Yosuke's mind, if Kanji had been gay, he would also be prone to behave inappropriately. When Kanji tells Yosuke that he has no problem being around girls now, Yosuke asks him to prove it, saying that if he can't, "we're gonna be stuck here all night half scared to death." Yosuke's attitudes about Kanji are problematic, and so is the game's way of handling them. Rather than addressing Yosuke's negative perceptions of homosexuality, perhaps with a character arc in which his prejudices are challenged and he becomes more open-minded over time, Persona 4 lets his view of homosexuality as something to be feared stand unchallenged and unremarked upon, treating it as normal and acceptable.
Persona 4's treatment of Naoto is no better. Naoto, known in the media as the detective prince, comes to town to help the police with their ongoing investigation of the disappearances that are plaguing Inaba. Predictably, Naoto disappears himself, and the investigation team leaps into action to rescue him. Naoto's dungeon is a sort of bunker, with large metallic doors and flashing lights. When you finally descend to the deepest chambers of the bunker, you find Naoto declaring that he is about to embark on a "bodily alteration process." This process, he says, will result in "the moment of a new birth" and enable him to "walk a completely different path in life." Shadow Naoto then taunts Naoto, saying that Naoto is "such a cool, manly name" but that "a name doesn't change the truth. It doesn't let you cross the barrier between the sexes." Shadow Naoto then reveals to the investigation team that Naoto is physically female.
