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de Blob 2 Review

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Game Emblems

The Good

The Bad

  1. When it comes to a game with a concept as good as De Blob, more of the same can only be a good thing

Carolyn Petit
on

De Blob 2 has an infectious feel-good vibe, but some frustrations cramp this platformer's funky style.

The Good

  • Restoring color to the world is rewarding  
  • Great visuals and music create a joyous atmosphere  
  • Smart, entertaining cutscenes  
  • Combat is often good simple fun.

The Bad

  • Failure can result in having to replay long sections or entire levels  
  • Targeting system can be frustrating when facing diverse groups of enemies  
  • Some repetitive level design.

The blob known as Blob made his debut in de Blob when it landed on the Wii in 2008, introducing the world to a funky new hero whose ability to absorb color and spread it around was put to great use in that charming platformer. Now, Blob is back, but while fostering political revolution through paint is as intrinsically enjoyable as ever, a nasty tendency to punish you severely for failure and a few other issues prevent this outing from being as enjoyable as the first.

Painting the town is the name of the game.

With the help of his friends in the Color Underground, Blob overthrew the oppressive, conformity-enforcing INKT Corporation and unceremoniously evicted Comrade Black from Chroma City. But hatred and poor taste in civic design are not so easily defeated, and Comrade Black has started building a new regime in Prisma City, rigging elections and brainwashing citizens into lifeless, colorless drones. Blob and his fellow revolutionaries once again set out to bring color back to those who find themselves under Black's monochromatic rule. As in the first game, the story is told through a series of great cutscenes that mix humor and seriousness in their portrayal of political oppression and revolution in this cartoon world. De Blob 2 has serious issues on its mind, as is apparent when a lone citizen stands blocking a row of tanks, or when biting comments like "Comrade Black asserts that inkboarding is not torture" run across the news ticker at the bottom of the screen. These weighty real-world concerns lend the game meaning, while the comedic moments, and the game's joyful visuals and sound, ensure that they never overwhelm the experience. Above all else, de Blob 2 is a celebration of color and freedom.

Blob's weapon in the battle against oppression is color. The once vibrant buildings of Prisma City have all become dull under Comrade Black's rule, and the once colorful and diverse populace of Raydians are now sad, homogeneous Graydians. As Blob, your goals typically involve traveling around the levels, restoring color to the buildings and citizens. Once he has absorbed some paint, color flows naturally from Blob; just touching a building is enough to coat the entire structure, and just tapping a billboard can change it from a bland piece of political propaganda into a colorful celebration of people power. Sometimes, you're required to paint buildings specific colors, which can require a little thought. For instance, if you need to paint the sides of some buildings orange but have to paint the surface that you need to stand on to reach those sides red, you have to paint the orange sides first. And you may need to figure out how to make use of the provided paint-carrying robots called paintbots to coat Blob with the colors you require. (Soaking in a pool of blue and then stomping a red paintbot makes Blob purple, for example.) These challenges are never too tough to work out, but they do require you to think for a moment about how to approach a situation.

Blob's touch brings life in other ways, too. Touch a barren tree, and leaves sprout from it; bop a parked vehicle, and it sputters on and takes happily to the skies. Seeing color and life return to the environments thanks to your actions is gratifying, and it's made all the more rewarding by the way the music gradually becomes more lively too. Each time you paint something, a happy little flourish in the music acknowledges your actions, and as the environment becomes increasingly colorful, the music builds up, starting out as little more than a groovy beat and eventually exploding into a full-bodied funky tune. De Blob 2's visuals aren't technically impressive, but they have a charming and very distinct style that makes the colorful environments of Prisma City immensely inviting. Restoring color to this world just feels good.

Unfortunately, the level design doesn't always support this joyous act. Some levels whisk you from one gray area to the next so quickly that you have no time to bask in the color and cheer you've spread. And some, like a level in which you climb one similar tower after another after another, are too repetitive to stay enjoyable. Each of the 12 levels is frequently broken up by side-scrolling sections, which means that you're never doing the same thing for too long. But many of these sections are too simple and too similar to each other to be engaging. You go down a hallway, hit a switch, go down another hallway, hit another switch, maybe stomp out some Inkies, and then return to the surface, having transformed the grim Inky structure into a bopping party palace from the inside. Later in the game, some elements are introduced that make these side-scrolling sections a bit more varied, such as switches that reverse the pull of gravity and a power-up that makes Blob metallic and lets you roll up and down the magnetized rear walls of certain sections. But it takes a bit too long for these elements to be introduced, and when they are, they're not used frequently enough to shake off the feeling of sameness that many of these sections have throughout the game.

Controlling Blob is fun, thanks to responsive controls and a mostly great targeting ability that lets Blob stomp switches, enemies, paintbots, and the like with unerring accuracy. Holding down a trigger targets the nearest targetable object, and the jump button sends Blob crashing down on top of it. This technique can also be used to jump greater distances than you otherwise could. If there's something you can target on the other side of a leap, you can jump for it and then target the object when you get near enough, at which point you can jump again in midair, homing in on the targeted object. Combat is simple but enjoyable. By targeting the Inkies, Blob can stomp out or charge through just about anything they throw at him, provided he has the paint points. Paint points indicate just how much color Blob has stored up in his round, absorbent body, and they can be replenished by stomping paintbots or by taking a quick soak in a pool of paint. Most groups of enemies can be stomped out by just holding down the targeting trigger and mashing on the jump button until the Inkies are no more, and since Blob's movements mirror your button presses, there's a gleeful sense of power that accompanies pounding the Inkies into nothingness.

Carolyn Petit
By Carolyn Petit, Editor

Carolyn Petit has been reading GameSpot since 2000 and writing for it since 2008. She has a particular fondness for games of the 1980s, and intends to leave the field of games journalism as soon as she hears that her local Ghostbusters franchise is hiring.

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