Vampire: The Masquerade - Bloodlines Designer Diary #1

This is the first entry in a series of developer diaries that will cover the making of Vampire: The Masquerade - Bloodlines. To begin, I thought a brief history of White Wolf and the Vampire: The Masquerade role-playing game was in order.

White Wolf's origin dates back to 1986, when brothers Steve and Stewart Wieck founded a publishing company in Atlanta. It was a small company consisting of a half-dozen guys living in a house and using their front porch as a warehouse. Things changed when the brothers met an RPG designer named Mark Rein-Hagen. Inspired by the mythic and magical heritage of his native Scotland, Mark was co-author of the groundbreaking role-playing game, Ars Magica, a fantasy game set in an alternate medieval world, while still in college. He then established his own company, Lion Rampant. Mark later merged his company with that of the Wieck brothers to create White Wolf. With their first collaborative RPG game, they created the dark and gothic/punk world of Vampire: The Masquerade, where players could create modern stories of tragedy and personal horror.

In this world, vampires roam the streets at night among mortals in a decadent, information-age world. "The kindred," as vampires call themselves, have spent countless centuries secretly preying on humanity and cooperating uneasily among themselves through a clandestine and Machiavellian social order governed by many laws. Prominent among these laws is the tradition of the "masquerade": "Thou shalt not reveal thy true nature to those not of the blood." Disguised as humans, vampires have infiltrated the mortal world and now manipulate its very history.

Playing as a vampire living among humans may sound a little bit like child's play--after all, if you're such a powerful supernatural creature, how difficult can it be to fight humans? But Vampire: The Masquerade has populated the ceaseless nights of immortal existence with hundreds of rival vampires, each with its own powers, agendas, and political structures. Even worse, many of the earliest, most-powerful vampires are still around, controlling their offspring through diabolical machinations that would make Machiavelli jealous. A manipulative vampire can accomplish more by whispering into another's ear or by charming an opponent rather than by drawing a gun or swinging a sword.

In this complex game of power, intrigue, and immortality, those who get caught in its machinations meet "final death." Those who master its rules and challenges may survive for centuries but will pay the bitter price of their humanity. They turn into something other than human--cursed creatures of the night, emotional outcasts who slowly lose their own ability to feel and discern right from wrong. After all, how do you treat normal people if they may end up being nothing more than your next meal? How does one deal with their dark side, the beast, if it suddenly gains control and forces them into acts of violence?

With its unique blend of drama, tragedy, pathos, humor, and horror, the Vampire: The Masquerade campaign setting became a phenomenal success. In fact, Vampire: The Masquerade spawned an entire series of games collectively known as World of Darkness, a setting where ancient monsters such as werewolves, mages, supernatural hunters, and demons pull the strings behind a society of an unaware humanity.

And that's just about where we came into the picture. Who are we, you ask? We're Troika Games. Created by the minds behind Fallout, Troika went on to create the critically acclaimed Arcanum: Of Steamworks and Magick Obscura and, most recently, The Temple of Elemental Evil (we love long names, obviously).

When it came time to do our next game after Arcanum, we decided we wanted to challenge ourselves and move from our comfort zone of making isometric-view role-playing games to trying something completely new and challenging. To this end, we had been speaking with Scott Lynch of Valve about using the new Source technology (the same game technology used to power Half-Life 2) to create a brand-new, groundbreaking first-person RPG. When we brought this idea to Activision, they suggested we use the Vampire license for this new game. So we began to diligently research the World of Darkness and the Vampire system and agreed that it would be a great fit. Placing players face-to-face with the World of Darkness was just too good an idea to pass up.

The first thing we needed to do was to come up with a story and decide how we were going to integrate the Vampire rules into a computer game. To do this, we immersed ourselves in the White Wolf books and came out on the other side with some truly new and unique ideas for a computer RPG. How exactly did we do this? Well, that's what the next diary will be about.